Playing drum brushes will improve your drumming and get you more gigs. In this post, I’m going to share the different drum brushes I have used over my 35-year professional drumming career. I’ll also share about the brushes I currently use and why I think are the best Jazz drum brushes on the market today. I think they’re going to be great for you too!

First off, I am not endorsed by any drum brush or stick maker. I also only share products at that have worked for me and I think will also help you in your drumming.

Before I share the drum brushes I have used, here is my recommended list of features for Jazz brushes:

  • Light gauge wires
  • Shaft is one piece. No cap on the end.
  • Retractable (so your wires don’t get mangled when you put them in your stick bag)
  • An O-ring on the end to scrape cymbals
  • Soft gum rubber covering the shaft for a comfortable grip and clean brush flutters off the rim.
  • Two notches in the metal retractor for full open or medium open wire settings.
  • The weight balance feels natural in your hand. A brush that is too front heavy is a little harder to move smoothly.

See all of the topics covered in the Brushes Mastery Course in the video below.

LEARN JAZZ BRUSHES: A complete course of everything you need to play with brushes.

My first drum brushes – Regal Tip Brushes

My first Jazz drum brushes were made by Regal Tip. They were recommended to me by Jeff Hamilton. He also went on to design and manufacture his own Regal Tip brushes with a thicker gauge wire. While they were easier to bounce, the sound was a bit too abrasive for my ears.

My next drum brushes – Zildjian brushes

Next, I tried Zildjian brushes. Zildjian certainly makes great cymbals, which I always seem to gravitate back to after trying other makers. Their brushes are also good starter brushes but the feel and sound were not smooth enough for me.

The best Jazz drum brushes

After Zildjian brushes, I went back to playing Regal Tip brushes for many years. Then one day, a drum student of mine brought the Vic Firth Heritage Brushes to a lesson. WOW! From that day on, they’re all I’ve used. I use them to play, Jazz, Brazilian, Afro-Cuban, Hip-Hop, Funk, Country, Pop and anything else that comes my way. They are super versatile and long-lasting.

Von Baron plays the best jazz drum brushes.

Nothing but good stuff to say

The first thing I like about the Vic Firth Heritage Brushes is that they’re PURPLE! The color makes them really easy to see and pull out of my stick bag even in low stage light.

The softer gum rubber doesn’t give me blisters like some other brushes have done. The softer gum rubber also makes rim flutters smoother. Less sound of the shaft hitting the rim and more of the wire fluttering sound on the drum head.

The metal ring (O-ring) on the end (also on all of the other brushes I shared above) is very useful to scrape cymbals. Cymbal scraping is absolutely essential in Jazz ballad playing. Brushes without the O-ring are pretty useless for Jazz in my opinion.

Some brushes are designed with a cap on the end with the O-ring. This cap inevitably breaks off making the brushes useless. The Vic Firth Heritage Brushes have one solid shaft piece so they never come apart.

A video sharing how to think like a Jazz drummer during your fours and eights. I am of course playing my Vic Firth Heritage Brushes!

Here’s the affiliate link to buy these brushes on Amazon. Every little bit helps support this blog. Thank you 🤙

More good stuff to say

Another feature I like are the two notches in the metal retractors. They are locks for medium and full opening of the wires. Very useful for keeping the brushes from slipping back into the shaft while playing.

Since day one, my Vic Firth Heritage Brushes, have never had any problems with the wires getting jammed in the metal shaft. For some lower-priced brushes this can be a really big problem. Your wires get all mangled inside the shaft and don’t come out when you try to push out the wires.

The Heritage Brush wires are lightweight but for some reason don’t get bent too easily. That’s definitely a plus! The weight balance is also just right in my hands. I play traditional grip with brushes and both hands always feel natural.

A video of me playing Bossa Nova and Samba brush patterns with my Vic Firth Heritage Brushes.

My Vic Firth Heritage Brushes last me about 6 months. That’s playing about 15-20 gigs per month, practice and teaching. That’s not too bad! I have also played Vic Firth Heritage Brushes for roughly 8 years.

So, of all the brushes I have used in my professional career spanning over 3 decades, I recommend the Vic Firth Heritage brushes. The price is great and the build quality and sound are professional all the way!

I hope you found this post valuable. If you’re ready to feel confident playing brushes on the bandstand check out my BRUSHES MASTERY COURSE. You might also like my blog about music dynamics for drummers. Here I also share about how brushes can add dynamics to your drumming. Thanks for reading and as I always say, KEEP ON DRUMMIN’!

Learn to play Jazz brushes in the THE BRUSHES MASTERY COURSE. It’s the most complete online drum brushes course ever created.

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